Library and Information Science

Library and Information Science ISSN: 2435-8495
三田図書館・情報学会 Mita Society for Library and Information Science
〒108‒8345 東京都港区三田2‒15‒45 慶應義塾大学文学部図書館・情報学専攻内 c/o Keio University, 2-15-45 Mita, Minato-ku, Tokyo 108-8345, Japan
Library and Information Science 54: 19-41 (2005)

原著論文Original Article

グーテンベルク聖書と写本の伝統The Gutenberg Bible and the manuscript tradition

慶應義塾大学文学部(非常勤講師)Faculty of Letters, Keio University (part-time lecturer) ◇ 〒108-8345 東京都港区三田二丁目15番45号 ◇ Mita 2-15-45, Minato-ku, Tokyo 108-8345, Japan

受付日:2005年8月23日Received: August 23, 2005
受理日:2005年10月30日Accepted: October 30, 2005
発行日:2006年3月10日Published: March 10, 2006

This study compares the physical characteristics of the Gutenberg Bible (B42), the first substantial book printed in Europe using movable metal type, to selected manuscript Vulgate Bibles of the fifteenth century that can be found in several library collections in London. The manuscripts originated in German-speaking countries and represent those that might have served as a model for B42. A comparison is made in order to determine to what extent B42 followed or tried to follow the manuscript tradition, what new features it introduced, and what purpose the new features served. The study focuses on the physical appearance of the book, such as the size, format, general page layout, and script/typeface including the use of punctuation, as well as the arrangement of prefaces and books of the Bible.

Close examination reveals that the Gutenberg Bible modelled its physical characteristics on the large contemporary manuscripts made for and used in religious houses, although a smaller format was likely used for the exemplar(s) of B42. It was found that B42 followed the manuscript tradition closely in terms of physical appearance, although it did not make use of red ink for headings and initials. However, B42 did not merely imitate the manuscript style. It aimed at an idealized manuscript. With its strict setting rules, B42 succeeded in introducing a more standardized page layout, despite its complex concurrent printing and composition, to an extent that manuscripts could never achieve. At the same time, it created a new tradition for the printed Vulgate.

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